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International |
...and One Frenchman
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ARTISTI della GALLERIA
Artists of the Gallery - Santo Ficara,
Florence March-April 2001
| Rachel Williamson reporting
from Florence
Some galleries base their reputation on showcasing a stable of artists that all belong to the same group, either age or style. It is a safe bet, as your collectors feel secure in knowing that you will only have bankable artists, those who are called 'career' artists with a proven track record. In Italy, there is an elite group of artists who are generally aged over 50 and to Italian collectors, are household names. Who collects them outside of Italy, is another matter. But they regularly show up at the Venice Biennale and are invited to museum group exhibitions in the art capitals New York, London, Paris and Berlin. Take Carla Accardi for
example, born in 1924 she has been famous in Italy since 1947 when she
founded the group of abstract painters called "Forma". If anyone deserves
international fame on a Schnabel, Marden scale - it is her. Still, most
Italian artists prefer to live in Italy (and quite rightly) so this limits
their audience. However there are more Italian born artists at the top
end of the international scale than there are French artists today - Sandro
Chia (born Florence, 1946) and Francesco Clemente
(born Rome, 1952 ) among them. To get there, these artists have joined
the throng and live largely in New York.
Carla Accardi, Triplice tenda, 1969-71 vernice su sicofoil, 320 x diam. 500 cm Accardi is a good friend
of Santo Ficara a maverick player in the contemporary art world from Calabria
who has owned the top Florentine gallery for over 30 years. Ficara regularly
makes trips to Accardi's Roman studio and selects easel paintings to show
in his gallery and at the annual round of art fairs across the country.
Accardi is one of the enduring Italian stars he cultivates a strong working
relationship with, another is Aldo Mondino (see
article). Ficara is known for his Italian masters and last year he
sold a major work by Sandro Chia (below).
Sandro Chia, Private Collection However this Calabrese
is canny enough to realize any gallery has to move forward at the risk
of becoming stale like so many stuffy London and New York galleries.
He has nurtured an innovative group of Italian artists who call themselves
Cracking
Art and who have just been invited to show at the next Venice Biennale.
Now, he has taken the brave and un-Italian step of showing a French artist,
albeit one who lives in Florence. In his current show "Artists of the Gallery"
which Ficara does every year, the viewer walks into the elegant renaissance
space with wall to wall classics from his coterie of living Italian masters
but what stands out, what hits you in the eye and draws you like a magnet
- are two fresh works by Le Goff. Called
Firenze 15 Rosso and Firenze
15 Blu these vibrant pieces from an outsider are flanked by works from
Mondino and Accardi. It makes for a startling contrast. I interviewed half
a dozen visitors to the gallery and they all raved about the Frenchman's
work, saying that the rest was "as you would expect."
Michel-Vincent Le Goff, Firenze 15 Blu, Firenze 15 Rosso, (2000) 23 carat leaf gold, computer parts, cord on canvas panels mounted on acryclic painted wood panels.
Injecting new blood into
the stable is a risk. Florentine collectors are few and staunchly conservative.
Ficara has already shown works by Le Goff in two previous group shows and
this year, at the all important Bologna Fiera. The public's reaction to
the exciting works in the current show, is proving his instincts were correct.
Ficara will stage a major one man show for Le Goff in November of this
year. The exhibition will include paintings, drawings, sculpture and Le
Goff's latest work with gold panels and computer parts. Le Goff's 'goldscapes'
deal with, amongst other things, eastern mysticism and mathematical conundrums.
By incorporating computer parts, he investigates the extent to which hi-tech
hardware has infiltrated our lives and explores the impact of the information
age upon European culture.
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